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The Poetics of Aristotle contains some hints on the subject of composition which entitle it to be mentioned in the present connexion. The deficiencies, even from a purely theoretical point of view, of this work, once pronounced infallible, have at last become so obvious that elaborate hypotheses have been constructed, according to which the recension handed down to us is a mere mutilated extract from the original treatise. Enough, however, remains to convince us that poetry was not, any more than eloquence, a subject with which Aristotle was fitted to cope. He begins by defining it, in common with all other art, as an imitation. Here, we at once recognise the spirit of a philosophy, the whole power and interest of which lay in knowledge; and, in fact, he tells us that the love of art is derived from the love of knowledge. But the truth seems to be that aesthetic enjoyment is due to an ideal exercise of our faculties, among which the power of perceiving identities is sometimes, though not always, included. That the materials of which every artistic creation is composed are taken from the world of our experience makes no difference; for it is by the new forms in which they are arranged that we are interested, not because we remember having met them in301 some natural combination already. Aristotle could not help seeing that this was true in the case of music at least; and he can only save his principle by treating musical effects as representations of passions in the soul. To say, however, that musical pleasure arises from a perception of resemblance between certain sounds and the emotions with which they are associated, would be an extremely forced interpretation; the pleasure is due rather to a sympathetic participation in the emotion itself. And when Aristotle goes on to tell us that the characters imitated in epic and dramatic poetry may be either better or worse than in ordinary life, he is obviously admitting other aesthetic motives not accounted for by his general theory. If, on the other hand, we start with ideal energising as the secret of aesthetic emotion, we can easily understand how an imaginary exaltation of our faculties is yielded by the spectacle of something either rising above, or falling below, the level on which we stand. In the one case we become momentarily invested with the strength put into action before our eyes; in the other, the consciousness of our own superiority amounts to a fund of reserve power, which not being put into action, is entirely available for ideal enjoyment. And, if this be the correct view, it will follow that Aristotle was quite wrong when he declared the plot to be more important than the characters of a drama. The reason given for his preference is, even on the principles of his own philosophy, a bad one. He says that there can be plot without character-drawing, but never character-drawing without plot. Yet he has taught us elsewhere that the human soul is of more value than the physical organism on which its existence depends. This very parallel suggests itself to him in his Poetics; but, by an almost inconceivable misjudgment, it is the plot which he likens to the soul of the piece, whereas in truth it should be compared to the body. The practice and preference of his own time may have helped to mislead him, for he argues (rather inconsistently, by the way) that plot302 must be more indispensable, as young writers are able to construct good stories before they are able to portray character; and more artistic, as it was developed much later in the historical evolution of tragedy. Fortunately for us, the Alexandrian critics were guided by other canons of taste, or the structurally faulty pieces of Aeschylus might have been neglected, and the ingeniously constructed pieces of Agathon preserved in their place.

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In no other branch of machinery has so much research and experiment been made during eighty years past as in steam machinery, and, strange to say, the greater part of this research has been directed to the details of engines; yet there has been no improvement made during the time which has effected any considerable saving of heat or expense. The steam-engines of fifty years ago, considered as steam-using machines, utilised nearly the same proportion of the energy or power developed by the boiler as the most improved engines of modern construction��a fact that in itself indicates that an engine is not the vital part of steam machinery. There is not the least doubt that if the efforts to improve steam-engines had been mainly directed to economising heat and increasing the evaporative power of boilers, much more would have been accomplished with the same amount of research. This remark, however, does not apply to the present day, when the principles of steam-power are so well understood, and when heat is recognised as the proper element to deal with in attempts to diminish the expense of power. There is, of course, various degrees of economy in steam-using as well as in steam-generating machinery; but so long as the best steam machinery does not utilise but one-tenth or one-fifteenth part of the heat represented in the fuel burned, there need be no question as to the point where improvements in such machinery should be mainly directed.Two passages in Aristotle��s writings have been supposed to give evidence of his admiration for Alexander. One is the description of the magnanimous man in the Ethics. The other is a reference in the Politics to an ideal hero, whose virtue raises him so high above the common run of mortals that their duty is to obey him as if he were a god. But the magnanimous man embodies a grave and stately type of character quite unlike the chivalrous, impulsive theatrical nature of Alexander,177 while probably not unfrequent among real Hellenes; and the god-like statesman of the Politics is spoken of rather as an unattainable ideal than as a contemporary fact. On the whole, then, we must conclude that the intercourse between these two extraordinary spirits has left no distinct trace on the actions of the one or on the thoughts of the other.The Countess touched Balmayne. She had turned her face away, fearful lest the expression of it should be seen.

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TWO:2. The necessity for, and consequent saving effected by, power-machinery for handling is mainly in vertical lifting, horizontal movement being easily performed by hand.At the same time bells rang ... and guns roared.

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ONE:We may say almost as briefly that they inculcate complete independence both of our own passions and of external circumstances, with a corresponding respect for the independence of others, to be shown by using persuasion instead of force. Their tone will perhaps be best understood by contrast with that collection of Hebrew proverbs which has come down to us under the name of Solomon, but which Biblical critics now attribute to a later period and a divided authorship. While these regularly put forward material prosperity as the chief motive to good conduct, Hellenic wisdom teaches indifference to the variations of fortune. To a Greek, ��the power that makes for righteousness,�� so far from being, ��not ourselves,�� was our own truest self, the far-seeing reason which should guard us from elation and from depression, from passion and from surprise. Instead of being offered old age as a reward, we are told to be equally prepared for a long and for a short life.The engineering apprentice, as a rule, has a desire to make drawings as soon as he begins his studies or his work, and there is not the least objection to his doing so; in fact, there is a great deal gained by illustrating movements and the details of machinery at the same time of studying the principles. Drawings if made should always be finished, carefully inked in, and memoranda made on the margin of the sheets, with the date and the conditions under which the drawings were made. The sheets should be of uniform size, not too large for a portfolio, and carefully preserved, no matter how imperfect they may be. An apprentice who will preserve his first drawings in this manner will some day find himself in possession of a souvenir that no consideration would cause him to part with.

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ONE:��Help me save the most valuable set of emeralds in the world from being��destroyed!��

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ONE:"I see, I see," the Countess replied. "If we could only scheme some plan----"

ONE:

ONE:At seven o'clock in the morning I was taken to the commanding officer, and was glad to see him again. He jumped up immediately and came to me with a charming smile, when I pointed to my escort and explained that I was a prisoner.

ONE:"That's it," Lawrence said gravely, but with a glance at Hetty that caused her to flush a little. "And the key is like this one. We'll give it to Hetty, and some time when the wicked woman is out of the way she may get the tiny little phial that is in the cabinet so that we can do all kinds of wonderful things with it."The lesser is the greater��s enemy,

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ONE:At Tirlemont they were very busy rebuilding the burnt houses, although all day long the air shook from the heavy roar of the cannon near Antwerp."True? True, sir? You go and look for yourself! And let me tell you one thing��there are no francs-tireurs here! We know quite well what we may do and what not, and only a moment ago I received a message from the Minister of the Interior, saying that non-combatants who shoot at the enemy expose themselves to danger and their fellow-citizens to retaliations."

TWO:

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ONE:"No."Separating machines, such as bolts and screens, which may be called a class, require no explanation. The employment of magnetic machines to separate iron and brass filings or shop waste, may be noted as a recent improvement of some importance.

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TWO:After I had been incarcerated for about two hours I was taken to the commanding officer, Major Krittel, or rather to one of his subordinates, Captain Spuer, who was having a violent altercation with his chief. The captain appeared to insist with great force that the whole place should be burned down and all the prisoners shot. But the major seemed to be a tolerably reasonable man, tried to soothe the captain, and at last put down his foot, saying that he had had enough. The captain, a rude, fat fellow, sat down at a desk and bellowed at me:

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THREE:Since Dick had already given the man a sidelight on Jeff��s character by mentioning his superstitions, it occurred to Sandy that he might learn, from the stranger��s reply, how well he knew Jeff.

THREE:"Well? Go on, nothing could be worse than what has happened."

"Well, she saved us from murder tonight," Balmayne said, looking grimly down into the white face on the sofa. "By Jove, he's coming to!"The second thesis of Gorgias was that, even granting the world to exist, it could not possibly be known. Here the reasoning is unexpectedly weak. Because all thoughts do not represent facts,��as, for example, our ideas of impossible combinations, like chariots running over the sea,��it is assumed that none do. But the problem how to distinguish between true and false ideas was raised, and it was round this that the fiercest battle between dogmatists and sceptics subsequently raged. And in the complete convertibility of consciousness and reality postulated by Gorgias, we may find the suggestion of a point sometimes overlooked in the automatist controversy��namely, that the impossibility, if any, of our acting on the material world reciprocally involves the impossibility of its acting on us, in so far as we are conscious beings. If thought cannot be translated into movement, neither can movement be translated into thought.I noticed the smell of fire already several miles from Louvain. On both sides of the road small mounds indicated the graves of soldiers who fell115 during the brave resistance of the Belgians before Louvain. A small wooden cross and some pieces of accoutrement were the only decorations. Carcases of horses were lying in the fields, from which came a disagreeable smell."Ach, but I have no case, I am not what you call a patient. It is another matter--a matter of sentiment."

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